Thursday, August 16, 2007

New Dashboard Confessional Album - Carrabba returns to roots.

I just read this post from Dashboard Confessional's myspace page:

" This fall, critically acclaimed singer-songwriter Chris Carrabba will return to his roots with the release of The Shade of Poison Trees, Dashboard Confessional’s fifth album for longtime label Vagrant Records. The album marks a notable return to the signature acoustic sound that Carrabba first developed on early Dashboard Confessional albums like 2000’s The Swiss Army Romance and 2001’s The Places You Have Come To Fear The Most.

Recorded over 10 days in Florida with renowned producer Don Gilmore (Pearl Jam, Linkin Park), The Shade of Poison Trees is filled with the kind of earnest acoustic laments and smart, poetic lyrics that long ago turned Carrabba into a feverishly adored artist. While he continues to evolve as a songwriter throughout, the album is a significant return to the Dashboard of old, as well as a tip of the hat to fans that have spent the past nine years by his side.

When asked why he revisited his earlier stylings he responded, “I never really left.”

Over the past year, Dusk and Summer has received universal acclaim from such publications as Rolling Stone, Blender, Spin and the LA Times. And now, Dashboard has returned with The Shade of Poison Trees, an album that is sure to reconnect with the band’s longtime fans and further proving that Carrabba has become one of the most influential songwriters of his generation. Without question, The Shade of Poison Trees is Dashboard’s most personal album yet, and, to that end, Carrabba is set this fall to embark on a North American solo tour – his first in over five years."

I'm actually really really happy about this. Dashboard's best album by far is the Swiss Army Romance, along with Places You've Come to Fear the Most, and if what it says at the end of this post is true, or at least if I understand it correctly, Chris Carrabba will be returning to his former small club atmosphere and playing more intimate shows, with just a mic and a guitar. I'll gladly spike my hair, put on my wristbands, and scream louder than the 14 year old girls I'll be surrounded by to go see Dashboard as the band deserves to be seen, and how it should be seen.

Large venues and an electric guitar are the antithesis of such a band.
I'm glad Chris is figuring that out.

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